Is DC Even Trying Anymore?

DC Comics. Home to powerhouses like Superman, Batman, Wonder Woman, Green Lantern, The Flash...the list goes on and on. DC started in 1934 under the name of National Allied Publications. That is 88 years ago. I was in my late 20's when they started!

They are often referred to as one of the big two (along with chief rival, Marvel Comics, home to...well, you know if you are reading this). The problem nowadays, is that DC isn't a part of the big two. Outside of the Batman family of titles, it is on life support. And not even all of the Bat titles are doing well.

If you look at the top 100 sellers in the months of January through April, this is the high-level breakdown...

January DC had 26 titles in the top 100. 20 of those were Bat titles.
February DC had 26 yet again, with 17 being Bat titles.
March saw DC completely rebound (lmao) with 27 comics in the top 100. 18 of which belonged to ol' pointy ears.
April? 33 titles! WOW. Sit down. 21 were Bat titles.

Marvel is absolutely destroying DC. Outside of Batman, DC is not doing anything right. At all. They are writing comics for themselves, not for fans, clearly. Is there a wall at DC where they just throw crap and hope something sticks? This is a business that has a clear need for someone who can lead, not just manage. Huge difference, and DC is managing just fine. They are managing crap. They do not have the leadership required to rekindle the interest in even its core characters. Look at the Superman titles. Is there an excuse for what is happening there? Yes. Plenty. Is there a REASON? Nope.

Green Lantern? My favorite character/franchise. What in the hell? It's like watching Star Trek Discovery...there are a few cool parts, but largely no one gives a $#!+. It's entirely forgettable. 

While I enjoy Marvel, I have been a DC fan my entire life (well, for as long as I've been reading comics...probably not as an infant, where my prime focus was on food and not having a squishy diaper, I mean, come on).

It's hard to blame DC. Their parent is Warner, and they colossally interfere and place executive/creative ego over solid decision making. Marvel has actual cohesion, and Image has Spawn. And other Spawn titles. And other Spawns. This may look sarcastic as I type this, but they are legit fun books and are always visually incredible. 

So what is Marvel (and Image's Spawn) doing differently? It's less event-driven and they are absolutely more true to their characters. Marvel, for example, have created "woke" characters without fully overwriting their predecessors. That is great! Comics needs more diversity. 

Side note to Marvel...the best "F you" to the people appropriating the Punisher logo is just publishing nothing but stories where Frank Castle is laying waste to fringe right-wing groups. NOT that new, stupid logo. Stop.

Consistently well-written and drawn stories, fresh, NEW characters, and not alienating an older audience (who spends way more) are just a few ideas. Focus group a diverse reader selection, regularly. At this point I won't be surprised if the next big Bat event deals with alternate Earth Batmans who are warring with each other. Batman Right vs Batman Left. That way each political spectrum is covered.

Keep politics out of comics as much as possible. Readers do not want it, regardless of what a vocal minority of fans on Twitter may say.

Anyhoo, next blog will actually be why I love DC's Nightwing comic so much. Go figure.

Batman 1989

Netflix is quite possibly one of man's crowning achievements. It might not be as big of a deal as, say, the polio vaccine or mayonnaise, but it certainly has to rank higher than frostbite or American politics.

Recently Netflix has added several Bat films for your viewing pleasure. Or displeasure, as it were. I'm looking at you, Clooney.

As a 20 year old "man" in 1989, my biggest concerns centered around NBA basketball, but when I heard Batman was coming out, the not-so-hidden nerd inside me was ready to go. I wasn't alone. The film grossed hundreds of millions of dollars and was a pop-culture phenomenon.

In the cape and cowl is Michael Keaton. He is my favorite actor in the world. Bar none. Way higher than Clint Howard or that dude who played Balki. Keaton's casting was controversial in that fanboys everywhere couldn't believe that a comedian would be able to pull it off. Exhibit A: Clean and Sober. End of discussion.

His portrayal of Bruce Wayne is still the best we've seen in film. Keaton nailed it. Batman is not Bruce Wayne's alter ego, it's the other way around, and it was done exceptionally well.

Jack Nicholson played the villain (as he does so well). The Joker was truly insane, and who better than Nicholson? Heath Ledger's Joker, while brilliant, is a different kind of Joker. If you have the maturity to look beyond the ridiculous comparisons, you will see that both were completely mesmerizing.

There is a lot of praise to go around, from Burton's visionary approach, Danny Elfman's iconic score, or the unbelievable design work by the late Anton Furst. I could go on for hours.

Lucky for you I will not do that. There are a couple things in the film that could have been done differently, but hindsight is 20/20, especially for armchair quarterbacks.

On the Field of Geeks podcast, we recently did a commentary track for the film, and as much fun as it is to poke a little fun at movies, I still found myself loving the movie. Check it out at https://youtu.be/Okl4epVdibo and enjoy! It's Clooney-free!

Jason Todd

Earthlings!!

Right.  So moving on...

Were you alive to remember Jason Todd's original run?  The two origins?  The 900 number?  I WAS THERE!!!  #whippersnappers

First off, the picture is just more brilliance from Jim Aparo.  He and Neal Adams are two of the first people I think of when it comes to Batman artists.  Their ability to bring emotion to the page was, and is, unparalleled. 

Fourthly, I thought the right decision was handed down at the time.  Kill off the little punk.  Since then, I have become less radical/emotional in my desire to see fictional characters put down.  In this case I am glad it happened.

If Jason Todd would have lived and continued on as Robin, two things would not have happened...

1.) Tim Drake (the best Robin there was).
2.) We would not have the Jason Todd we know today.

His character as the Red Hood has been amazing.  One of the brighter spots in the Bat-verse in the last 11 years.  That's right, he has been back for 11 years.  Crazy, huh?  His first appearance was in 1983, and was killed off in 1988.  He has more than doubled his life span this second go-around.

DC's Rebirth has reverted back to the origin of him being a kid that stole the tires off of the Batmobile, fixing the New 52's origin. He has new "outlaws" with him for Rebirth, Artemis, and Bizarro.  Cray cray, I know.  #sorryaboutthecraycray

Jason has been no angel since coming back, there's no question about it.  His presence adds depth to the Bat-family, and I am glad that he is out there.  It's one of those cases where the death of a character worked, in hindsight.  Of course, when he died back in '88, the death of comic characters weren't so ridiculously overdone. 

I have not done the math, but I would imagine that there are more DC/Marvel heroes that have died than haven't (A and B-listers, anyway).

Check out Rebirth's Red Hood and the Outlaws.  It's worth a read!

#hashtag

Dumpster Diving: Batman & Robin

My friends and I at Field of Geeks (click on the link to the side) recently did some movie commentary on the 1997 disaster, Batman & Robin.  As you can imagine, we had an amazing time being able to review a movie that shows us that life just is not fair.  It showed us that Satan had a strong grip on Hollywood.  It also showed us that Alicia Silverstone's mole was there one second, and gone the next. 

If you are like me, and pray that you aren't, you love comic book movies.  As a comic book fan, it stands to reason that I am part of the target audience, right?



Proof that we are not deserving of nice things.

Not with Batman & Robin.  My sources tell me that the target audience for this film was the Ik'Scctey, and evil alien race who is hell-bent on destroying planets for their natural resources.  Below is an excerpt of my interview with said source.

Steve: I understand that the film was actually commissioned by the government, is that correct?

Source: Right you are, Steve.  You have to understand, we, as a nation, were at the height of the Spice Girls' popularity, and we were all just tired after the Lewinsky thing.  Batman & Robin was our way to commit planetary suicide.

Steve: So then why are we still here?  What happened?

Source: The Ik'Scctey warlords thought Alicia Silverstone was cute.

So there it is, ladies and gentlemen.  Straight from my fictional source's mouth.

If you have NOT seen this film, save yourself.  If you have, you'll recall the therapy you have gone through to try and quiet the night terrors.  You might also recall Uma Thurman breathing on people a lot.

George Clooney actually takes the blame for this.  While that is gracious, it is not his fault.  There is so much blame to go around, from Warner Brothers straight down to the caterer.

As a serious film-reviewer (of which I am not, I like some pretty terrible movies), I would be remiss if I did not acknowledge the good with the bad.  So without further delay, the best part of the movie?

We did not have to endure the death of Thomas and Martha Wayne for the 400th time.  That is absolutely one thing the movie got right.  We know all about it.  Same with Spider-Man.  We know he was bitten by a radioactive spider.  I was bitten by a radioactive spider once, and all I got out of it was 6 months of chemotherapy.

Rating: One out of five George Clooney head bobs.

The Killing Joke

Let's start here...

The Killing Joke is a heavily anticipated animated movie brought to us from our friends at DC Comics.  If you are not familiar with the source material, let me introduce you to Barbara Gordon.  Barbara is the daughter of Gotham City police Commissioner Jim Gordon.

In real years, she is 48 years old, having her debut in 1967.  She was created for both the comics and the Adam West Batman series simultaneously, and has been a fan favorite ever since.  In March of 1988, as depicted in the beautiful Brian Bolland artwork above, Ms. Gordon was shot by the Joker, to be left paralyzed.  In the following panels, the Joker starts to undress her so he can photograph her.

Pretty gruesome stuff, right?

In the years that followed, Barbara Gordon would become an integral part of the DC Universe as Oracle.  Her prowess behind a keyboard assisted more than just the Bat-family over the years.  And yes, in true comics fashion, she eventually regained the use of her legs, becoming Batgirl, once again.

The movie, set to debut later this year, is either going to knock it out of the park, or it is going to inspire Batman v Superman levels of critique.  Obviously I hope it does well.  It is the iconic Joker story.  Ask any comic fan to name one story that comes to mind when they think of the Joker and The Killing Joke will top the list.  A Death in the Family would probably be second (Joker, less than a year later, kills the Jason Todd version of Robin).

How could this movie fail?  Well, the voice acting will not, as Kevin Conroy and Mark Hamill reprise their roles as Batman and Joker, respectively.  See?  We are off to a great start!  If they deviate from, or dumb down the source material, then a lot of die hard comic fans will be up in arms.  If they do not deviate, the armchair activists are going to get upset all over again over the treatment of Barbara Gordon.

This is a controversial story to animate, and I look forward to it.

Steve's prediction: too early to tell.  I'm not predisposed to hate things (like critics and DC movies).  :)

Rebirth

Rebirth

re·birth

rēˈbərTH/

noun

noun: rebirth; noun: re-birth

1.    the process of being reincarnated or born again.

"the endless cycle of birth, death, and rebirth"

o    the action of reappearing or starting to flourish or increase after a decline; revival.

plural noun: rebirths; plural noun: re-births

"the rebirth of a defeated nation"

synonyms:

revival, renaissance, resurrection, reawakening, renewal, regeneration

DC Comics has had many “universe” shattering events in its time.  Some large (Crisis on Infinite Earths, Infinite Crisis, Final Crisis, Flashpoint) and some small (Armageddon 2001, Millennium).  If you see the word “Crisis” floating around, chances are high you are going to alienate somebody.

The next big event for DC, kicking off in May, is the highly anticipated “Another #$%^@ Crisis”.  It will highlight how our heroes handle their world’s lack of editorial foresight. 

But I kid.  Rebirth hits in May with an 80-page special written by Geoff Johns, and features an insanely talented group of artists in Ivan Reis, Phil Jimenez, Ethan Van Sciver, and Gary Frank.  With talent like that, they could price this at 20 bucks and I am in.

"Clark, what's with Eisenberg?"

The intent here is to incorporate elements of both the pre and post-Flashpoint universes.  I am excited to see this, because after pushing close to 20K (18K sounds like I am not committed) comics, the New 52 stalled me out.  My pull file at Mayhem comics?  Done.  Buying comics monthly?  Done.  Is Bruce Wayne still alive, dead, alive again, re-dead?  No idea.  Ok, I lied, I have been keeping up, but only thanks to various internet outlets.

In my post about Tim Drake (scroll down), I was starting to lose my taste for the New 52. It looks like DC is trying to change course, and I'm excited for the results.  Why?

Geoff Johns.  That's why.  If you liked Flash: Rebirth and Green Lantern: Rebirth, then my money is on his ability to respect the material while updating it.  The New 52 screwed up a lot.  Since cloning Johns is apparently not an option (yet, I have plans, kids), DC needs to be able to get back to the basics here.

3 Tips for DC from a 46 year old nerd:

1.) Good, character-driven (not action-driven) stories.  Don't leave out the action, of course, but we need to care about these characters.

2.) STOP fundamentally changing characters in crazy ways.  Alan Scott, for example.  I sincerely enjoy a diverse character set, but have it make sense.  I'd have rather seen Alan Scott come out of the closet than just being handed an all-of-a-sudden gay Alan Scott who was (pre-New 52) straight, married, and a father.  Or, and here's a crazy idea, create diverse characters?  I'm still waiting for the announcement of...

Superman is now an Indonesian Transsexual!

Seriously, knock it off.

3.) Before you create the next event/crisis, and completely alter the fictional universe, have you tried a focus group to gauge customer reaction?  If you have, shame on the last focus group.

Lastly, diversify your talent.  I'm not talking men/women, etc.  Diversity includes people and mindsets that represent all walks of life.  One name rings a bell: Chuck Dixon.  It is great to see some of the talent coming on board for Rebirth, but one horrible thing that comics (and other artistic mediums) falls victim to is allowing egos to rule over business decisions.

Take measured risks.  I am eager to say "Welcome back, DC."
 

Mailbag!

Since I am back to this blog consistently, let's dive into the mail and answer the questions from all of the readers!

 

Letter #1:

 

Letter #2:

 

All right! Thanks for all of your great questions!

Dear Critics

Finally!  I have been freed from an Albanian terrorist organization and am free to blog!  This translates into being lazy. Sorry, Albania!
 

In the last installment, we talked about Ben Affleck and his turn as Batman. There was a lot of speculation and hate. Rest assured, he was the best Caped Crusader.  Sorry, Clooney.

We have finally seen a DC Comics movie that lives up to DC Comics.  The critics are destroying this movie like it starred Ryan Reynolds in a green suit.  One of the biggest complaints?  It's joyless and too dark.  Excuse me?  In Man of Steel, my biggest beef was the insane amount of property damage.  This had to be dark.  The source material led us to this.  Critics, you are stupid.  Sorry, critics!

Finally, this is a good time to resurrect this blog, as there are so many projects out and coming up.  DC Comics "Rebirth" project is right around the corner, and I am excited to see what is up.  So to the 2 people that read this, sorry two people!

Plug time: Field of Geeks!  It's a podcast.  Download the app Podbean (for free) and search for Field of Geeks.  It's worth it, great guys on there talking about all the fun stuff.  Even I am a guest on there, occasionally.  Sorry, world!

Bats vs Supes: 5 out of 5 baths with Amy Adams.

Red Hood and the Outlaws

After issue #1 of this series, especially if  you are a fan of these characters before the "new 52", you might want to stop reading this series altogether.  My problem is I let books stack up so I can enjoy them all at once, or in the case with novels, to make them last longer.  Reading, to me, is like episodic television.  It is not uncommon for me to be reading 3 or 4 books at once.  I am currently reading Extinction Agenda by Marcus Pelegrimas, Sandstorm by James Rollins, and Star Wars: Survivor's Quest by Timothy Zahn.  It's like turning the channel.  AND IT'S HOW I ROLL.

So it goes with comics.  I let Red Hood and the Outlaws stack up, and I am glad I did.

Jason Todd's Most Precious Memory

Jason Todd is the Red Hood.  Todd, you might recall, was the 2nd Robin to be under Batman's tutelage.  Back in the day, there was a storyline where readers could call into a 900# (not that kind of 900#...so disappointing) and determine whether or not Jason Todd would live or die.  The readers decided Jason needed to go.

The character was becoming a loose cannon, and as a result, Robin got to die at the hands of the Joker, via explosives.  The story was quite sad, and really shaped the Batman character for years and years to come.  Anyway, he's back.

Roy Harper, the former sidekick to Green Arrow, is also in the book.  Roy Harper, formerly known as Speedy had a name switch to Arsenal when DC finally realized the name Speedy was inherently stupid.  The character gained some fame in the 70's as the sidekick who turned to heroin in the infamous Green Lantern/Green Arrow series.  Social relevance and all that.  Dated stories, but man were they great. To this day I will still break them out.

The last Outlaw is Starfire.  She was a Teen Titan regular, former girlfriend to original Robin, Dick Grayson, and current slut with a selective memory.  This was the character that made me want to throw the first issue into the fireplace to use as kindling.  It became clear to me that I do not have a fireplace, so I had to scrap the idea.  

After finishing the 1st five issues, I suggest you go out and buy it.  Some minor dialogue annoyances and predictable formulas aside, I am interested in the story, and I am interested mostly in what happens to Jason Todd.  A very fun book. 

4 out of 5 Red Hoods.